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- <text id=94TT1240>
- <title>
- Sep. 12, 1994: Books:3-D Mother
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Sep. 12, 1994 Revenge of the Killer Microbes
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/BOOKS, Page 84
- 3-D Mother
- </hdr>
- <body>
- <p> Anna Quindlen's second novel asks if parents can be people
- </p>
- <p>By John Skow
- </p>
- <p> Halfway through her powerfully affecting novel One True Thing
- (Random House; 289 pages; $22), Anna Quindlen pauses, swabs
- her forehead with a bandanna (so the wrung-out reader imagines)
- and sums up: "Our parents are never people to us, never, they're
- always character traits, Achilles' heels, dim nightmares, vocal
- tics, bad noses, hot tears, all handed down and us stuck with
- them."
- </p>
- <p> These brooding half-truths are the night thoughts of Ellen Gulden,
- a brilliant, self-absorbed and slightly chilly young woman who
- goes home grudgingly from a promising magazine job in Manhattan
- to tend her dying mother. She's the only acceptable nurse. Her
- college-age brothers can't help much. Besides, her pampered
- father, a philandering literature professor on whose preening
- intellect she has modeled her own, has demanded that she come.
- Ellen, once the town prodigy, now awkwardly learns to change
- sheets and cook supper.
- </p>
- <p> In the months of dwindling and retreat that follow, Ellen sees
- Kate, her mother, really for the first time, as more than a
- collection of recipes and home-decoration hints. The two women
- talk, read Anna Karenina together, make their adjustments with
- pain. These conversations are the core of the novel, and all
- the core it needs.
- </p>
- <p> But, perhaps shouldering for space on the shelf, perhaps simply
- from inexperience--Quindlen writes a New York Times column,
- but this is only her second novel--she has given her story
- a cumbersome plot frame, involving a grand jury investigation
- of a mercy killing and a melodramatic double misunderstanding
- underlying an estrangement between Ellen and her father. This
- elaboration clutters the novel but does not spoil it. Nor does
- the sense that beyond its last page, Ellen still has a living
- parent whom she understands only as a collection of flawed character
- traits.
- </p>
- </body>
- </article>
- </text>
-
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